A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.
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什么都通过角色的口讲出来说教意味太重跨性别者看到这部影片《狩罪魔》应该会觉得欣慰和释放吧我们从小到大都不会一直想做传统意义上的儿童少年青年和成年人如果别人说你错只是因为你独特just keep it.
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